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Primary Trust
January 26, 2026
Pulitzer Prize-winning words and heartfelt story Reviewed by Tori Laird Primary Trust is a Pulitzer Prize-winning play written by Eboni Booth. It is playing at the Grand Theatre in London, ON until February 7. A 90-minute show with no intermission, it features a small cast and a minimal set, and while the story is relatively simple, it packs an emotional punch. Kenneth introduces himself directly to the audience to kick off the show, and we learn about his bookstore job, happy hour maitais at his favourite tiki bar, and his best friend Bert. When his boss at the bookstore decides to sell and move to Arizona, Kenneth needs to find a new job, which leads him to step outside his comfort zone by trying new things and meeting new people. We learn an important truth about Bert that illustrates Kenneth’s story. Kenneth meets a new boss and a waitress that help him come out of his shell as he’s still grappling with the emotional trauma of his mother’s death decades earlier.This tale was a bit dark, dealing with themes of grief, alcoholism and mental health, but ultimately it was a thought-provoking story with a hopeful conclusion. This is a minimalist show with tons of heart. The set shows one street in Kenneth’s town of Cranberry, but with a few quick changes it becomes the bookstore, the bar, the bank, and more. Sound and lighting effects chime to indicate a change in time or emotion. Only five actors play the dozens of characters that cross the stage, with strong characterization and various accents brought to life, even for one line. Khadijah Roberts-Abdullah as Corrina was excellent. She was able to portray a potential new friend with warmth, humour and empathy that could be felt across the stage. This show is a ...
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Mary's Musings
Looking Back at the Best of 2025
January 12, 2026
By Mary Alderson in collaboration with Sandi Laird, Sookie Mei, Marilu Murphy, Vicki Stokes, and Hazel Fowler. Now that 2025 is behind us, Entertain This Thought has a round-up of favourite shows we saw over the year. With nominations from our team, Sandi Laird, Debbie McClure, Sookie Mei, Marilu Murphy, and Vicki Stokes, I have collected a list of those we felt were among the best. To read our reviews, just click the link on the show title. Outstanding Musical This was the year for big musicals. My favourite was Dirty Rotten Scoundrels at Stratford Festival. Not just a hilariously funny script, the entire cast had comedy chops, and the dancing was superb. Running a close second is Annie, also at Stratford Festival. The same fleet-footed dancers entertained brilliantly in both shows, and the orphan children were an amazing delight. And a very close third goes to Anything Goes at the Shaw Festival: Spell-binding tap dancing throughout, along with a hilarious cast. In contrast to these old favourites, Mirvish Productions gave us two new musicals. Tell Tale Harbour was a wonderful story starring Allan Doyle of Great Big Sea fame, with the story based on the movie The Grand Seduction. Mirvish also presented Bright Star, also known as the Steve Martin musical. Martin and a partner wrote the musical which features his beloved banjo music. The touching story was presented by a great team of actor-musicians. Honourable mention goes to Jersey Boys at the Marble Arts Centre in Tweed. While this musical is always a crowd-pleaser, this production was exceptionally well-cast and it was a delight to see this show in a small, intimate theatre. Outstanding Comedy The Play That Goes Wrong on stage at London’s Grand Theatre was simply hilarious and the entire audience was with them, says reviewer ...
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