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Frozen, The Broadway Musical

Musical Joy for Families and Disney Lovers of All Ages Reviewed by Sandi Laird Walking into the Grand Theatre on opening night was a visual pleasure with children (and even some adults) decked out in gowns and capes and tiaras and septors. The excitement was contagious as kids of all ages anticipated the magical Kingdom of Arendelle in Frozen, The Broadway Musical. The musical did not disappoint with its huge sets, sweeping cast, big wigs, excellent voices, and enough humour to please the adults while always appealing to children. Frozen was a phenomenon that caught the attention of the world in 2013 when Disney introduced the animated musical starring the engaging sisters Elsa and Anna. In a summary from the Grand’s own playbook, Frozen “tells the story of two sisters, Queen Elsa and Princess Anna, torn apart by a magical secret and racing against time to find their way back to each other and to the power of true love.  Elsa is the serious older sister, who harbours secret powers she cannot control while Anna is fun, playful, and keen to reunite with Elsa and break the winter spell threatening the Kingdom of Arendelle.” The cast is terrific, but a few voices stand out. Kelly Holiff as Queen Elsa is a singer-actress of exceptionally astonishing range and power. The audience cheered her on and she never disappointed. Her rendition of Frozen’s signature “Let It Go” defies description in the absolute best way. Queen Elsa’s wigs and gowns were textbook Disney but when she stands in the frozen castle and throws off her regal dress in favour of a glamourous icy teal gown, the audience went wild. The other standouts include young Anna, played with absolute joy by Harmony Holder; Izad Etemadi, puppeteering and voicing Olaf with confidence, panache and a wink ...
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Mary's Musings

Blyth Festival – 2026 Season

Blyth Festival, Summer Season 2026 Indoors, on the Margaret Stephens Stage Sisters of ‘78 By Kristen Da Silva Drama | World Premiere June 10 – August 9 | Opens June 12 Inspired by the Fleck Strike in Centralia, Ontario, Sisters of ’78 is a fierce, funny, and deeply moving ensemble drama about women pushed to the brink at a small auto-wiring plant. As unsafe conditions and harassment collide with a company that won’t listen, tensions spill into the wider community in a conflict that changed Canadian labour law forever.  A pivotal and long-overlooked moment in Canadian women’s and labour history, the Fleck Strike reshaped conversations about workplace dignity, solidarity, and collective action—conversations that continue to resonate today. Dry Streak By Leeann Minogue Contemporary Comedy June 17 – August 16 | Opens June 19 It’s the summer of 1988, and drought is scorching the Richards family’s rural Saskatchewan farm. And then son John returns home with his punk-rock, vegetarian city girlfriend, Kate. Tensions rise and then explode when Kate makes a reckless weather-related promise that turns private desperation into public spectacle. Wildly funny and sharply observed, Dry Streak is a comedy about belief, belonging, and small-town pressure. A fresh re-write of Minogue’s 2006 smash hit from Saskatoon’s Persephone Theatre. The Last Mayor of Rusty River By David Scott, John Powers, and Gil Garratt Musical Comedy | World Premiere July 29 – September 13 | Opens July 31 In Rusty River, a municipal election goes completely off the rails when two fed-up councillors decide to run a cat – Captain Whiskers – for mayor. What begins as protest spirals into an all-out circus filled with bluegrass-fuelled showdowns and political shenanigans. Co-created by David Scott, who served as both the youngest mayor in Canada and the last mayor of Seaforth before municipal amalgamation, the musical draws on ...
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